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    #51
    Women in Prison Films of the 70s and 80s:

    Caged Heat - 1974And director Jonathan Demme's first feature Caged Heat (1974), made for Roger Corman's New World Pictures, was a low-budget, B-grade campy sexploitation classic - with empowered tough women, designed for the drive-in crowd. It is now considered one of the best of its type - an "innocent females in prison" film, advertised as "White Hot Desires Melting Cold Prison Steel!," with frequent shower sequences showing off a nude "Rainbeaux" Smith and Erica Gavin. The Exorcist's Linda Blair and Sybil Danning were others who appeared in women-behind-bars (or in reform schools) trash films, with healthy amounts of gratuitous nudity, as in the made-for-TV Born Innocent (1974), Chained Heat (1983), and Reform School Girls (1986).

    More Adult-Oriented Films in the Late 60s and 70s:

    Adult-themed, prestigious, sexually-mature and powerful films in the late 1960s and early 1970s also caused a stir, and were among the earliest films given a new X rating by the MPAA Rating Code. The only Best Picture (and Best Director) winner that was rated X (later changed to R) was John Schlesinger's Midnight Cowboy (1969). It was about the seedy life and camaraderie of two desperate souls (one a would-be gigolo street hustler portrayed by Jon Voight) in a seedy section of New York City.

    Last Tango in Paris - 1972Bernardo Bertolucci's landmark, controversial erotic film about a destructive relationship, Last Tango in Paris (1972), an Italian-French co-production financed by United Artists, featured an aging, grieving widower and American expatriate Paul (Marlon Brando) and a much younger 20 year-old Parisienne ingenue Jeanne (Maria Schneider) who relieved emotional pain through anonymous but passionate sex. The film received an X-rating for its explicit and uninhibited sex scenes, and was nominated for Best Director and Best Actor Oscars. In 1974, it became the first film to be prosecuted under Britain's Obscene Publications Act.

    Stanley Kubrick's X-rated masterpiece A Clockwork Orange (1971) was a dark satire regarding violence, sex (previously unseen on the big screen), rape, and the freedom-denying effects of aversion therapy. Kubrick was personally responsible for withdrawing the film from distribution in the UK (for almost 30 years) when it was linked to copy-cat crimes by youth gangs. David Lean's Ryan's Daughter (1970) brought conflict over its rating due to Sarah Miles' nude scene with Christopher Jones. Nicolas Roeg's debut film Walkabout (1971) was also questioned regarding Jenny Agutter's nude swimming scenes in the Australian outback.

    And during the horrors of war in Korea in a surgical hospital in Robert Altman's irreverent film M*A*S*H (1970), the surgeons played practical jokes, including the broadcast of a Sally Kellerman's hot request of Robert Duvall: "Oh Frank, my lips are hot...Kiss my hot lips."

    Peter Bogdanovich's The Last Picture Show (1971), a slice of life R-rated film about life and loss of innocence in a small Texas town, provided brief glimpses of a nude, young Cybill Shepherd skinny-dipping at an indoor pool party with other naked teens (in full-frontal views), and then experiencing a failed, awkward deflowering with Jeff Bridges in a motel room (but she tells her girlfriend-classmates "I just can't describe it in words"). Other controversial scenes included a high school student's (Timothy Bottoms) affair with his school coach's wife (Cloris Leachman), and the deflowering of the town's mentally-retarded boy with a prostitute.

    Director Mike Nichols' Carnal Knowledge (1971) (mixed with Jules Feiffer's cynical script) surveyed three decades (late 1940s-60s) in the contrasting sex lives of two college roommates: studly, chauvinistic Jack Nicholson (and eventual wife Ann-Margret) and shy, bumbling Art Garfunkel. The film was argued as being obscene for its explicit dialogue, borderline nudity, and suggestive final scene of oral sex.

    Looking for Mr. Goodbar - 1977In Sam Peckinpah's Straw Dogs (1971), after slutty Amy (Susan George), the young wife of mild-mannered mathematician Dustin Hoffman, was raped by her ex-boyfriend (Del Henney) - and seemed to enjoy it (lending to the film's controversy), she was also sexually brutalized by one of the ruffian's friends. Sadistic revenge and violence erupted as a result - It was one of the most controversial rape sequences ever filmed, and the alarming film was accused of glorifying and inspiring men to assault women with sexual violence. Homosexual rape was portrayed in an infamous and shocking scene in director John Boorman's Deliverance (1972). Bobby, aka Chubby (Ned Beatty) was sodomized by a Mountain Man, who first makes him squeal like a pig ("Wheeeee! . . . Wheeeee! . . . Wheeeee!").

    Michael York played the part of a bisexual in Bob Fosse's musical Cabaret (1972), and Al Pacino robbed a bank in Sidney Lumet's Dog Day Afternoon (1975) in order to finance his homosexual lover's sex-change operation. Looking for Mr. Goodbar (1977), a sexually frank adaptation of Judith Rossner's best-seller, descended into the carnal depths of New York singles bars during the sexual revolution, and ended with the predictable, chilling fate of one promiscuous Catholic school teacher and female cruiser (Diane Keaton, an Oscar-winner in the same year for Annie Hall) searching for the perfect one-night-stand.

    The scandalous, ostracized, imported Japanese film In the Realm of the Senses (1976) explored the sensually explicit, erotic world of two lovers - re-made in the US as The Sailor Who Fell From Grace With The Sea (1976) with graphic scenes between Kris Kristofferson and Sarah Miles.

    Sex in Mainstream Hollywood Films Overwhelms Soft-Core Sexploitation Pictures:

    9 1/2 Weeks - 1986Wild Orchid - 1990MTV-style director Adrian Lyne's glossy 9 1/2 Weeks (1986), with a screenplay by soft-core erotica veteran Zalman King, was released in a more explicit, unrated video version than the R-rated theatrical release. It displayed generous samplings of kinky and raunchy sex, and the endlessly creative, obsessive and experimental ways two erotic adventurers/lovers Mickey Rourke and Kim Basinger aroused themselves during a two-month affair. The film contained one of the best erotic food seductions ever filmed, involving blindfolds, ice cubes, chocolate syrup, and other ingredients.

    [Zalman King would go on to direct three equally erotic, soft-porn films with strong sexual content: Two Moon Junction (1988) with Sherilyn Fenn, Wild Orchid (1990) - again with Mickey Rourke and Carre Otis and featuring a very believable/simulated sex scene, and the made-for-TV Red Shoe Diaries (1992) with X-Files TV star David Duchovny.]

    Damage - 1992Outside of the Hollywood system, Steven Soderbergh's independent film sex, lies and videotape (1989) followed the videotaping of the complex sex lives of the protagonists with sexually-suggestive and provocative content, but without overt scenes of sex or nudity. Foreign films with frank sexual content were usually re-shot or released with modified content in the US, e.g., Louis Malle's intimate exploration of obsessive and damaging passion in Damage (1992) with Jeremy Irons and Juliette Binoche, or Jean-Jacques Annaud's The Lover (1992). Other erotic foreign films included Betty Blue (1986) with the ripe and beautiful Beatrice Dalle destroyed by amour fou, and La Belle Noiseuse (1991) with Emmanuelle Beart as an artist's nude model.

    The NC-17 Rating:

    Henry & June - 1990Non-pornographic depictions of serious adult themes and lesbian sex led the MPAA to give up the X rating and create the NC-17 category. The first film to receive the MPAA's new NC-17 rating was director Philip Kaufman's Henry & June (1990), about the erotic lives in a lover's triangle in 1930s Bohemian Paris between writer Anais Nin (Maria DeMedeiros), American Henry Miller (Fred Ward), and his wife June (Uma Thurman). It was advertised as "a true adventure more erotic than any fantasy." [Kaufman's equally erotic previous film was The Unbearable Lightness of Being (1988) with open adult sexuality displayed by Daniel Day-Lewis, Juliette Binoche, and Lena Olin.]

    The NC-17 rating was originally designed to distinguish films with serious sexual content from regular, X-rated pornographic fare. Its rating restricted anyone under the age of 17 from attending a film. Nowadays, an NC-17 rating is the box-office kiss of death because many movie theatres won't book films with that rating, and major national video chains (e.g., Blockbuster) refuse to carry NC-17 or X-rated movies. So most major studios avoid having films released with more than an R rating, by cutting footage that would produce a NC-17 rating. Now, the NC-17 rating dictates film content and acts as a voluntary system of censorship within Hollywood.

    Basic Instinct - 1992Oftentimes after 1990, filmmakers would make token cuts of a few minutes (or seconds) of footage of objectionable sex scenes in their films to obtain an R rating for their opening theatrical release, and then add the footage back into videotape-released, 'unrated' versions (or special 'director's cuts'). The buzz generated from headlines about the sexual content of a film actually benefited many pictures and was sought after as free publicity.

    The next permissive film to cause headlines over its steamy content, depiction of lesbian characters, violent ice-pick murders, "date rape" scene with Jeanne Tripplehorn, sexy interrogation scene with panty-less Sharon Stone crossing her legs, and a threatened NC-17 rating was director Paul Verhoeven's sex thriller Basic Instinct (1992). The rating would cost the expensive film about 50-75% of its potential bookings. So the film was cut to receive an R rating for its theatrical release, although it was also released with a more explicit 'Director's Cut' version for the video market.

    The Video Revolution in the 80s:

    The advent of home video (the proliferation of cable TV, consumer camcorders, and VCRs) in the early 80s had a tremendous impact on the production and proliferation of X-rated films, and on the entire film industry. Now films could be made more cheaply, and there was a trend toward increasing independent production. Consumers could view the increased number of products in the privacy of their own homes rather than in theatres. And much more explicit films could be manufactured.

    Memorable Sexual Films and Scenes:

    Most films in modern cinema, especially with mainstream actors and actresses, were not full-blown, sex-titillating works designed to contain wall-to-wall eroticism. Many contained only a few sequences or dissected moments of sexuality (sometimes gratuitously added), that weren't necessarily seamlessly integrated into the plot.

    These are some examples of sexy/erotic moments in films from the late 50s through the 70s:

    * Sophia Loren as an earthy Greek diver in a skin-tight, tucked-in dress in Boy on a Dolphin (1957)
    * the much-imitated, extended bawdy, food-related sex scene, with meat and fruit providing the aphrodisiac in the lusty Tom Jones (1963)
    * One Million Years B.C. - 1966the many sexy beauties in the James Bond films including Ursula Andress, Honor Blackman, Jane Seymour, Maud Adams, Britt Ekland, Carole Bouquet, Diana Rigg, Tanya Roberts, Maryam D'Abo, Talisa Soto, Sophie Marceau and many more
    * the chilly British film Alfie (1966), with Michael Caine's first starring role as a charming but contemptuous playboyish rogue and lothario - with an early, candid view of sexual promiscuity, abortion, and pregnancy - [the film was remade by director Charles Shyer as Alfie (2004) - the story was transplanted to New York City with Jude Law in the title role as a desirable limo driver]
    * the unlikely sights of Raquel Welch as a cavewoman in a two-piece furry bikini in One Million Years B.C. (1966) and leopard-skin, bikini-clad prehistoric women in When Dinosaurs Ruled the Earth (1970)
    * the sensual, but bored housewife Catherine Deneuve and her bordello fantasies in Bunuel's Belle De Jour (1967)
    * the languid honeymoon nude scene between young actors Leonard Whiting and Olivia Hussey in Romeo and Juliet (1968) with her split-second toplessness as she rolls out of their bed at dawn
    * the doomed, steamy affair and bathtub washing scene (and the notorious butter scene!) between Marlon Brando and French girl Maria Schneider in Bernardo Bertolucci's groundbreaking Last Tango in Paris (1972) - about a man's struggle to forget his wife's death
    * Pretty Baby - 1978the notorious, convincing love-making scene between Donald Sutherland and Julie Christie in Don't Look Now (1973)
    * Radley Metzger's X-rated Naked Came the Stranger (1975)
    * the bondage/S & M scenes in The Story of O (1975)
    * the classic love-making scene between paraplegic Jon Voight and Jane Fonda in Coming Home (1978)
    * child actress Brooke Shields as Violet - a pre-teenage virginal child about to be auctioned off and deflowered on her 12th birthday, and her prostitute mother Susan Sarandon wiping away white powder from her breast with a wet finger during a photography portrait session in a turn-of-the-century New Orleans bordello in Louis Malle's semi-scandalous Pretty Baby (1978)
    * the perfect '10' Bo Derek with corn-rows in her hair as a fantasy dream woman running in slow-motion in the voyeuristic beach scene (for Dudley Moore), and the notorious bedroom scene with love-making accompanied by repeated playings of Ravel's Bolero (after Derek's question: "Did you ever do it to Ravel's Bolero?") in 10 (1979)

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    #52
    Greatest Early Sexual or Erotic Films:
    The Sheik (1921)
    Don Juan (1926)
    Flesh and the Devil (1927)
    Hula (1927)
    Pandora's Box (1928)
    Sadie Thompson (1928)
    The Blue Angel (1930)
    Hell's Angels (1930)
    Morocco (1930)
    Susan Lenox: Her Rise and Fall (1931)
    Tabu (1931)
    Blonde Venus (1932)
    Red Dust (1932)
    Baby Face (1933)
    Ecstasy (1933, Czech.)
    Footlight Parade (1933)
    The Outlaw (1943)
    Double Indemnity (1944)
    Duel in the Sun (1946)
    Gilda (1946)
    Notorious (1946)
    The Postman Always Rings Twice (1946)
    Forever Amber (1947)
    Out of the Past (1947)
    Gun Crazy (1950)
    La Ronde (1951, Fr.)
    A Streetcar Named Desire (1951)
    The Seven Year Itch (1955)
    Baby Doll (1956)
    And God Created Woman (1958)
    Some Like It Hot (1959)

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    #53
    Greatest Recent Sexual or Erotic Films:
    La Dolce Vita (1960, It.)
    Splendor in the Grass (1961)
    Lolita (1962)
    Blow-Up (1966)
    Belle de Jour (1967)
    The Graduate (1967)
    Midnight Cowboy (1969)
    Bob & Carol & Ted & Alice (1969)
    Women In Love (1969)
    The Lickerish Quartet (1970)
    Carnal Knowledge (1971)
    The Last Picture Show (1971)
    Heat (1972)
    Last Tango in Paris (1972)
    Deep Throat (1973)
    The Night Porter (1974)
    Emmanuelle (1974-1977)
    The Story of O (1975)
    In the Realm of the Senses (1976, Jp.)
    The Sailor Who Fell From Grace With the Sea (1976)
    Dona Flor and Her Two Husbands (1978, Braz.)
    Pretty Baby (1978)
    10 (1979)
    Dressed to Kill (1980)
    Body Heat (1981)
    Little Darlings (1980)
    Tattoo (1981)
    Cat People (1982)
    Fast Times at Ridgemont High (1982)
    Breathless (1983)
    The Hunger (1983)
    Risky Business (1983)
    Bolero (1984)
    Crimes of Passion (1984)
    About Last Night... (1986)
    Betty Blue (Fr.) (1986)
    Nine 1/2 Weeks (1986)
    Angel Heart (1987)
    The Big Easy (1987)
    Fatal Attraction (1987)
    Siesta (1987)
    Dangerous Liaisons (1988)
    Two Moon Junction (1988)
    The Unbearable Lightness of Being (1988)
    The Cook, the Thief, His Wife, and Her Lover (1989)
    sex, lies and videotape (1989)
    Henry and June (1990)
    The Hot Spot (1990)
    Tie Me Up! Tie Me Down! (1990)
    Wild Orchid (1990)
    Flirting (1991)
    Whore (1991)
    Basic Instinct (1992)
    Bitter Moon (1992)
    Damage (1992)
    Like Water for Chocolate (1992)
    The Lover (1992)
    Single White Female (1992)
    Body of Evidence (1993)
    Boxing Helena (1993)
    Jamon, Jamon (1993, Sp.)
    Sliver (1993)
    Wide Sargasso Sea (1993)
    Color of Night (1994)
    Exotica (1994)
    Jason's Lyric (1994)
    The Last Seduction (1994)
    Paris, France (1994)
    Sirens (1994)
    Jade (1995)
    Showgirls (1995)
    Species (1995)
    Bound (1996)
    Crash (1996)
    Fear (1996)
    2 Days in the Valley (1996)
    Boogie Nights (1997)
    The Pillow Book (1997)
    Happiness (1998)
    There's Something About Mary (1998)
    Wild Things (1998)
    Boys Don't Cry (1999)
    Eyes Wide Shut (1999)
    Romance (1999, Fr.)
    The Center of the World (2000)
    Requiem for a Dream (2000)
    Baise-Moi (2001, Fr.)
    Fat Girl (2001, Fr.)
    Intimacy (2001, Fr.)
    Lost and Delirious (2001)
    Monster's Ball (2001)
    Mulholland Drive (2001)
    Y Tu Mama Tambien (2001)
    Irreversible (2002)
    Unfaithful (2002)
    The Dreamers (2003)
    In the Cut (2003)
    Anatomy of Hell (Fr.) (2004)
    The Brown Bunny (2004)
    9 Songs (2004, UK)
    Shortbus (2006)

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    #54
    Trích dẫn Nguyên văn bởi Color Xem bài viết
    Vừa lướt qua 1 số đoạn trong phim này mà sợ quá, cái cảnh cô gái cắt "cái ấy" của mình mà ghê người.
    Kinh nghiệm cho các mẹ muốn cắt "cái ấy" của chồng là nên cắt bằng lưỡi lam, và vế cắt phải bảo đảm thật ngọt và sắc. Thế cơ hội nối lại thành công mới cao, chứ lấy mấy con dao làm bếp, cắt xong nó bầy nhầy và từa lưa thì coi như bỏ hẳn.

    Kinh nghiệm của mấy ông bác sĩ dạy đoàng hoàng đới... :Laughing:
    2 thành viên đã cảm ơn vì bài viết hữu ích (xem)

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    #55
    e đọc báo có người ghen chồng,mua thuốc mê,bỏ vô thịt bò xào,chồng ăn xong ngủ,ở đây tranh thủ cắt và quăng xuống cống lun,hình như không có khà năng fuc hồi lại,hi hi
    giờ đang làm đơn kiện vợ:Smiling:
    1 thành viên đã cảm ơn vì bài viết hữu ích (xem)

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    #56
    Trích dẫn Nguyên văn bởi burin_burin Xem bài viết
    Kinh nghiệm cho các mẹ muốn cắt "cái ấy" của chồng là nên cắt bằng lưỡi lam, và vế cắt phải bảo đảm thật ngọt và sắc. Thế cơ hội nối lại thành công mới cao, chứ lấy mấy con dao làm bếp, cắt xong nó bầy nhầy và từa lưa thì coi như bỏ hẳn.

    Kinh nghiệm của mấy ông bác sĩ dạy đoàng hoàng đới... :Laughing:
    Lúc cắt lại còn nghĩ đến chuyện nối lại thì cắt làm gì cho mất công.
    Cắt cái ấy của chồng thì tớ đọc nhiều rồi, nhưng cắt cái ấy của vợ thì phim này mới được thưởng thức. Sợ luôn.:Sick:
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    #57
    Các mẹ đang bàn chuyện lạc đề mất roài :Laughing:

    Mình cũng đã xem Người tình, Sắc - Giới, Bản năng gốc. Chắc phải tìm hiểu tiếp, hihi.

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    #58
    Em suggest Sex and Lucia (2001) - 1 phim thuộc thể loại Erotic mà theo em nội dung sâu lắng, làm người xem phải suy nghĩ chứ không đơn thuần là 1 bộ film về tình dục, khoe các bộ phận nhạy cảm của nhân vật. Cảnh quay đẹp cho người xem những thước film không thể chê được...

    1 phim nữa là The Dreamers (2003).
    Chỉnh sửa lần cuối bởi Ha8chi; 14/06/2010 vào lúc 02:37 AM.
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    #59
    phim số 10 gây ám ảnh nặng.
    Em chả thấy film này hay gì cả, xem xong chỉ muốnt ắt máy mà vừa xem vừa tour vì ko hợp với cái motip đấy

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    #60
    Trích dẫn Nguyên văn bởi burin_burin Xem bài viết
    Bắt gặp pé hoachi cũng rất hay quan tâm đến vấn đề... thể dục nhá...

    Tớ cũng có xem một vài phim thể loại erotic này của HQ, hình như là La Belle với Summer Time thì phải. Cũng rất hay và nhiều ý nghĩa.




    ...
    Á La Belle , hôm có topic này cũng có xem rùi . Link zing hình như dịch là Mỹ nhân hay sao đó ( bạn gửi cho chứ cũng đâu biết đâu ) . Èo ui ! Cứ tua qua miết . Coi xong chả hiểu nó nói cái gì , đã vậy khúc cuối tự nhiên thằng nam chính bóp cổ nhỏ gái chết queo , ôm ra biển để , ý nghĩa như thế nào chắc đợi coi lại n lần mới hiểu được . há há há :Laughing:

    Sắc giới cũng vậy , cứ tua miệt mài luôn . UI xấu hổ quá !

    Nói chung mấy phim Hàn nhẹ nhàng , góc quay đẹp , ko phô . rooling:
    Chỉnh sửa lần cuối bởi hoachi_hoachi; 15/06/2010 vào lúc 11:38 AM.